Her majesty (petite histoire d'Abbey road) / Jeu sous-marin / Camions bleus /



sous-mari
WIKIPEDIA
An alternate version with Harrison's lead guitar solo played against McCartney's (with Starr's drum solo heard slightly in the background) appears on the Anthology 3 album. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make".

"Her Majesty", tacked on the end, was originally part of the side two medley, appearing between "Mean Mr. Mustard" and "Polythene Pam". McCartney disliked the way the medley sounded when it included "Her Majesty", so he had the medley re-edited to remove it. However, second engineer John Kurlander had been instructed never to throw out anything, so after the group left the recording studio that day, he picked it up off the floor, spliced 14 seconds of red leader tape onto the final mix reel, and then spliced in "Her Majesty" immediately after the leader tape. The box of the album's master reel had a notation stating to leave "Her Majesty" off the final product, but the next day when Malcolm Davies at Apple received the tape, he (also trained not to throw anything away) cut a playback lacquer of the whole sequence, including "Her Majesty". The Beatles liked this effect and left it on the album. On the first printing of the LP cover, "Her Majesty" is not listed; however, it is shown on the record label. "Her Majesty" opens with the final, crashing chord of "Mean Mr. Mustard", while the final note of "Her Majesty" remained buried in the mix of "Polythene Pam". This was the result of "Her Majesty" being snipped off the reel during a rough mix of the medley. The cut in the medley was subsequently disguised with further mixing although "Her Majesty" was not touched again and still appears in its rough mix.


Enfin et surtout, le pot-pourri :
 
The medley

The climax of the album is the sixteen-minute medley consisting of several short songs, both finished and unfinished, blended into a suite by McCartney and George Martin. Most of these songs were written (and originally recorded in demo form) during sessions for The Beatles (aka The White Album) and the "Get Back"/Let It Be sessions.

"You Never Give Me Your Money" is the first song of the Abbey Road suite. It was written by McCartney and based loosely on The Beatles' financial problems with Apple. It is followed by three Lennon compositions, "Sun King" (which, along with "Because" from earlier on the album, showcases Lennon's, McCartney's, and Harrison's overdubbed harmonies), "Mean Mr. Mustard" (written during The Beatles' trip to India), and "Polythene Pam". These in turn are followed by four McCartney songs, "She Came in Through the Bathroom Window" (written after a fan came into McCartney's residence literally through the bathroom window[citation needed]), "Golden Slumbers" (based on lyrics but not the music of Thomas Dekker's 17th-century song of the same name), "Carry That Weight" which features chorus vocals from all four of The Beatles, although Lennon was in hospital at the time of the primary recording because of a car accident with Ono, his son Julian and Ono's daughter Kyoko-he recorded his vocals at a later date), and the climax, "The End". The latter is notable for featuring Starr's only drum solo in The Beatles catalogue. Starr hated solos and had to be persuaded to do it. It was even edited down several bars from its original recorded version. Three extended guitar solos were performed in turn by Harrison, McCartney, and Lennon, then in tandem for nine measures. Each had a distinctive style which McCartney felt reflected their personalities: McCartney's playing included string bends similar to his lead guitar work on Another Girl from the Help album; Harrison's was melodic yet technically advanced and Lennon's was stinging and had the most distortion.


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interesting pictures (a lot)  e.g. 2007 + all necessary information (2720) :
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interesting broadcast (one) :
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interesting musics (some) :
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